Dolby Laboratories, Inc. announced on Monday, April 23rd at CinemaCon 2012, Dolby® Atmos, a new audio platform that will change the experience of sound in entertainment. Launching in the cinema, Dolby Atmos delivers a more natural and realistic sound-field, which transports people into the story with a lifelike, sensory experience.

For the first time, Dolby Atmos introduces a hybrid approach to mixing and directs sound as dynamic objects that envelop the listener, in combination with channels for playback. Dolby Atmos enables adaptive rendering to ensure that the playback experience is as close as possible to the creator’s original vision in any given environment, irrespective of the specific speaker configuration in the playback environment.

Dolby Atmos is an end-to-end solution that takes into account the entire content pipeline and brings together mixers, studios, and distributors to create dramatic improvements in the audio experience. The Dolby Atmos platform provides content creators with a new creative freedom to tell their stories. It simplifies movie distribution with a single universal package to deliver to audiences the full impact of the artist’s intent, regardless of theatre configuration.

For more information visit: dolby.com/atmos

SoundWorksCollection

“A darkly funny but nightmarish scenario, a man wakes up in hospital with a group of sound artists soundtracking his life. Mr Foley is an award winning short film directed by Dublin directing duo Mike Ahern & Enda Loughman aka D.A.D.D.Y. The film has been on the festival circuit for a while but has just premiered online for all to see, YAY!”

mrfoley.com

Via musicofsound

“for future use in its electric ‘e-tron’ models, audi has developed ‘e-sound’, a realtime technique of generating synthetic motor sounds for the essentially silent vehicle in order to warn pedestrians and cyclists of the car’s proximity.”

read more: designboom.com

Author Suzanne Collins’ best-selling novel “The Hunger Games”, is the first in a trilogy that has over 16 million copies in print in the United States alone, has developed a massive global following.

Movie Director Gary Ross and his sound team including Supervising Sound Editor Lon Bender, Re-recording Mixer Michael Keller, and Re-recording Mixer Mike Prestwood Smith discuss their approach to creating the lush soundscapes for this highly anticipated film adaptation.

SoundWorks Collection

New TONSTURM library coming soon.